Interdependency – The Highest Stage of Capitalism

#books #fiction #SF

Warning: Contains some spoilers

Interstellar empires. They are a staple of science fiction, but we don’t often see how they arise. They’re just…sort of there, with their ‘Romans with spaceships’ vibe. John Scalzi’s Interdependency trilogy departs from convention by giving us both a backstory and a look under the hood. The series, comprised of The Collapsing Empire, The Consuming Fire, and The Last Emperox, tells the story of the eponymous interstellar empire confronted with an existential crisis, as its interdimensional hyperspace network starts to unravel. Like other human societies that preceded it, what the Interdependency does not do is pull itself together to avert disaster. Instead, its ruling elite descend into lethal court intrigues to gain control over the limited number of proverbial escape pods on the rapidly decompressing imperial spaceship. Across three fast-paced books, Scalzi puts the reader at the centre of power to find out whether the ruling class will pull itself together, or apart, and the rest of society with it.

Scalzi’s worldbuilding makes for a really interesting setting, and a creative new take on the interstellar empire trope, with plenty of nods to our contemporary world that are either humorous, insightful or both. Which is why it is such a shame that as the series progresses, the Interdependency itself fades increasingly into the background, obscured by the interpersonal dramas and vendattas of the main characters. The end result is something akin to what you might get if Frank Herbert’s Dune was the basis for a season of Coronation Street.

None of this is as apparent in the first book, which I felt to be the strongest in the series. The Collapsing Empire benefits from introducing us to Scalzi’s intriguing world, its characters, and the central point of the plot. We learn that the Holy Empire of the Interdependency is a refuge for a spacefaring human civilization that has long since lost contact with Earth, consisting mostly of habitats either on or orbiting otherwise inhospitable planets. The precarious nature of the Interdependency is due to its reliance on the ‘Flow’, an interdimensional network of hyperspace lanes that allow for faster-than-light travel, but only between specific star systems, most of which do not contain planets capable of supporting human life. Despite their high level of technological sophistication, the Interdependency’s systems could not function in isolation, hence the overriding purpose of the empire is to maintain both inter-system trade and enduring political stability and stasis.

Of course, this system works better for some than for others, and it works particularly well for the noble houses and guilds that have monopolies on the manufacture and trade of life’s essentials. The political economy of the Interdependency is the logical endpoint you would get to when applying Cory Doctorow’s process of enshittification to an entire economy: everything, from starships to citrus fruits, can only be produced by a single house and is legally and technologically shielded against reverse engineering. One cannot wonder if the architects of the Interdependency read Lenin’s Imperialism, the Highest Stage of Capitalism as an instruction manual:

A monopoly, once it is formed and controls thousands of millions, inevitably penetrates into every sphere of public life, regardless of the form of government and all other “details”.

This, however, is all about to come to an end as the Flow connections begin to fail, threatening to leave each system isolated and facing slow but certain collapse. By the end of The Collapsing Empire, this news has finally reached the new emperox (yes, the title is gender neutral) Grayland II, whose unexpected and short reign as the second in line to the throne has already been beset with intrigue, assassination and attempted coups. On top of which, she now has the imminent collapse of all human civilisation to contend with.

Unfortunately, the imminent collapse of civilisation remains eclipsed by said intrigue, assassinations and attempted coups in the remaining two novels, as Grayland II is under continuous assault from the ambitious Nohamapetan noble house. That is not to say that the Flow collapse disappears from the story, but for much of it it functions more as a political complication or liability within the ever shifting allegiances of different factions. Apart from a handful of paragraphs, we learn nothing about the response of the billions of people whose existence is at stake. The denizens of the Interdependency suffer from what I’ve come to think of as ‘prole syndrome’: a debilitating lack of agency and presence, which means their salvation can only ever come from the outside or the top down. We also saw this in Oryx & Crake, and it is taking 1984’s O’Brien at face value when he says:

Or perhaps you have returned to your old idea that the proletarians or the slaves will arise and overthrow us. Put it out of your mind. They are helpless, like the animals. Humanity is the Party. The others are outside — irrelevant.

There is a potential comparison here with the contemporary response to climate change. We, too, live in a society faced with an approaching existential threat. We too are governed by elites that are either unable to avert catastrophe, or have decided that they will be just fine, actually, and the death of millions is a small price to pay for ‘number go up’. Scalzi himself has indicated the analogy was not intended as directly, but that he was nonetheless inspired by the realisation that it will take us caring for one another if we are to survive because, to take a leaf from one of his characters , ‘the universe doesn’t give a fuck’.

Yet for all that, care or mutual aid are conspicuously absent from the Interdependency. We are told most of the Interdependency’s citizens assume matters will work themselves out, and only a handful either prepare for the End Times, or beseech their representatives to avert it. If this is a reflection on our contemporary state of affairs, it is a cynical and fatalistic one. Yes, more could be done, but we know that the vast majority of people want more action to be taken. Any limited progress we have made in the fight against climate change has been extracted from elites through organised collective action, rather than being benevolently gifted to us from above. Maybe an alternative version of the story could have seen boycots of trading guilds, occupations of space stations or the hijacking of starships as the citizenry of the Interdependency forcefully asserts its right not to be annihilated.

With its focus on court intrigue as it is, the Interdependency series can’t help but invite comparison with other galactic empire stories, perhaps most immediately Frank Herbert’s Dune. Despite being mostly confined to a single planet, the narrative in Dune feels grand, whereas in the Interdependency the interpersonal conflicts resemble the scale of dysfunctional university fraternity. In Dune, the conflict between its noble houses is encoded into the fabric of its society in a way that believably inflects everything about how the nobility acts and reacts, relying on careful long-term planning to attain victory. In the Holy Empire of the Interdependency, violence is deployed so casually that the universal incompetence of everyone’s security services begs the question how anyone in the leading houses is still alive by the time the story rolls round.

Of course this comparison is unfair, and so is judging the Interdependency series for something that it is not, but the contrast was productive helping me identify that my disappointment with the novels traced back to the separation between the world and the story set within it. The concept of the Interdependency holds much creative potential, yet the series never fully realises it. Whether that is due to the focus on the upper classes, the pace of the stories or the limited length of the series, is hard to tell.

That is not to say that the Interdependency series isn’t worth reading, as there is still much to enjoy in it. For one, although functionally Scalzi leans heavily into the Great Person Theory of History, he is happy to show us that up close, these people are anything but Great. Scalzi’s heroes are flawed, with doubts and foibles and endearingly humane concerns. Even his villains, while mainly murderous sociopaths, have compelling and interesting characters. All three novels are pleasantly fast-paced, which means it is neither surprising nor problematic that none of the characters show any real development over the course of the story, and have neatly Newtonian trajectories that can be predictably inferred from their starting positions. Instead, the plot proceeds through a couple of only mildly contrived deus-ex-machinas that move the story in an interesting direction without nullifying all dramatic tension the way we saw in Remembrance of Earth’s Past. The Last Emperox then sticks the landing with a solid and satisfying finale, handing the villains their just desserts without making it too easy on the heroes. The Interdependency is is easily enjoyed as a literary light snack, and I will certainly give other Scalzi’s a go. Yet I cannot help but wonder if, with the same ingredients, something more substantial wouldn’t have been possible.

Notes & Suggestions

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