the casual critic

nonfiction

Write.as does not come with a standard navigation menu or archive. Instead it organises posts using hashtags. Clicking a hashtag will generate a page with all the posts with that hashtag, in descending date order. All my reviews come with hashtags to help you find others that are similar.

You can use the hashtags on this page to navigate to a page that contains all posts with that hashtag.

Each review is marked either #fiction or #nonfiction

Each review lists the medium of the review’s subject: #books #films #theatre #tv #videogames

Works of fiction will have one or more genres listed: #cyberpunk #dystopia #fantasy #literature #SF #solarpunk #speculative #superheroes

Works of non-fiction, and some works of fiction, will include a topic: #culture #ecology #economics #feminism #history #politics #socialism #tech #unions

Finally, I found that some reviews share a theme, or a perspective, that is separate from the topic of the work I’m reviewing. These themes are also marked, and include:

  • #boundedimagination for reviews that consider how the limitations of our political imagination express themselves in both fiction and non-fiction works.
  • #protagonismos for reviews that consider where works of fiction place agency and heroism. This theme was directly inspired by two essays by Ada Palmer.

#nonfiction #books #hegemony

Ronald Reagan infamously said that the nine most terrifying words in the English language are “I’m from the government and I’m here to help”, but Mariana Mazzucato and Rosie Collington would counter that what should really frighten you is: “I’m a consultant and I’m here to advise.” Mazzucato and Collington are the joint authors of The Big Con: How the consulting industry weakens our businesses, infantilizes our governments and warps our economies, which as the title suggests is a full-on critique of the consulting industry and its malignant effects on society.

The Big Con builds on previously published research by Collington and Mazzucato, as well as Mazzucato’s earlier book The Entrepreneurial State. The central argument is as clear as it is intuitive: if you consistently rely on someone else to do something for you, you will not get any better at it yourself. Or as the wise sage Bruce Lee had it: “Growth requires involvement.” The increased use of consultancies creates, to borrow a favourite right-wing phrase, a ‘dependency culture’ among public sector organisations and businesses. And as with any dependency, your dealer usually has little interest in weaning you off what they sell.

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#books #nonfiction #economics

“There is no magic money tree” is the stern injunction invoked by politicians, central bankers and economists to explain to a fiscally imprudent public why it cannot have nice things. Fiscal rectitude is now the primary virtue of government, perhaps nowhere more so than in the United Kingdom where the Treasury has shackled itself to the need for approval from an ‘Office for Budget Responsibility’. Running deficits or printing money, we are told, is only one tiny step away from Weimar Republic levels of financial calamity.

But what if it wasn’t thus? That is the alluring promise of Modern Monetary Theory (MMT), which first gained prominence in the wake of the Great Recession and argues that not only can governments print money to cover expenses, but they should do so to fully realise a nation’s productive capacity. It is a provocative and controversial theory that repudiates the need for permanent austerity in the name of balanced budgets, and finds one of its most ardent advocates in Stephanie Kelton, erstwhile chief economist to US senator Bernie Sanders. In her book The Deficit Myth, she takes her argument for a ‘people’s economy’ built on the insights of MMT to a wider audience.

The Deficit Myth faces the triple challenge of any non-fiction book that assails an existing orthodoxy. It must set out a compelling argument, be intelligible to a lay audience, and dispel hegemonic common sense. This is a daunting task, and the meagre evidence base, weaknesses in Kelton’s writing style, and a different perspective on political economy meant I was left unpersuaded by the book’s stronger claims. Nonetheless, it is a thought-provoking read that provides ample critique of economic orthodoxy, and left me receptive to exploring more rigorous defences of MMT in future.

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#books #nonfiction #tech

Something is wrong with the internet. What once promised a window onto the world now feels like a morass infested with AI generated garbage, trolls, bots, trackers and stupendous amounts of advertising. Every company claims to be your friend in that inane, offensively chummy yet mildly menacing corpospeak – now perfected by LLMs – all while happily stabbing you in the back when you try to buy cheaper ink for your printer. That is, when they’re not busy subverting democracy. Can someone please switch the internet off and switch it on again?

Maybe such a feat is beyond Cory Doctorow, author of The Internet Con, but it would not be for want of trying. Doctorow is a vociferous, veteran campaigner at the Electronic Frontier Foundation, a prolific writer, and an insightful critic of the way Big Tech continues to deny the open and democratic potential of the internet. The Internet Con is a manifesto, polemic and primer on how that internet was stolen from us, and how we might get it back. Doctorow has recently gained mainstream prominence with his neologism ‘enshittification’: a descriptor of the downward doom spiral that Big Tech keeps the internet locked into. As I am only slowly going through my backlog of books, I am several Doctorow books behind. Which I don’t regret, as The Internet Con, published in 2023, remains an excellent starting point for anyone seeking to understand what is wrong with the internet.

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#books #nonfiction #unions

If unions had a collective mythos, then the union-buster would be its demon. Called in by employers to thwart unionisation drives, the union-buster sows fear and discord wherever they tread, skirting and sometimes crossing the bounds of legality. All is fair in love and class war, after all.

In accordance with Sun Tzu’s dictum in The Art of War that warfare is the Tao of deception, union-busters operate, if not in secret, then at least under the cloak of deception and misdirection. Their art consists of appearing to do one thing while actually doing another. Countless organisers have seen their campaigns end in defeat without being fully aware of the forces arrayed against them. However, some of these covert tactics have been illuminated by repentent deserters. One such convert is Martin J. Levitt, a former union-buster from the United States who had his Damascene Moment and revealed the union-buster’s arsenal of deceit and discord in his Confessions of a Union Buster.

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#books #nonfiction #politics #socialism

Where have all the comrades gone? Once a common term of address for those engaged in joint struggle for a better world, decades of defeat, betrayal and marginalisation leave it barely used except ironically. In Comrade – An Essay on Political Belonging, Jodi Dean seeks to recover the term by arguing it defines a unique and necessary relationship for common struggle. As a union organiser, I was very sympathetic to this endeavour. Effective collective organising undeniably demands a strong level of commitment and discipline that cannot be attained through allyship or arise spontaneously. As Rodrigo Nunes and Vincent Bevins convincingly argued in Neither Vertical nor Horizontal and If We Burn respectively, neither disorganised horizontalism nor the post-capitalist networked citizen can amass the power we need for the struggles we face. Unfortunately Dean’s argument doesn’t succeed in revitalising the comrade for the 21st century, attempting to resurrect the ideal comrade from the 19th century instead. The effort is commendable, but unconvincing. The old order has gone, and we cannot simply will it back into existence.

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#books #nonfiction #politics

After discussing Mark Fisher’s Capitalist Realism in my last post, it felt appropriate to follow it up with a seminal text by one of the other key representatives of the early 21st Left: David Graeber. Graeber was strongly involved with the Occupy Movement and is credited with coining its famous “we are the 99%” slogan. An anthropologist by training, Graeber, like Fisher, applied his critical eye to a whole range of social phenomena, including debt, bureaucracy and social resistance. Sadly, also like Fisher, Graeber died too young, succumbing to acute necrotic pancreatitis in 2020.

Where Fisher gave us the insight that it remains easier to imagine the end of the world than the end of capitalism, one of Graeber’s enduring concepts is that of ‘bullshit jobs’. Bullshit jobs made their debut in a short essay in STRIKE! Magazine in 2013, which remarkably is still online. The essay generated a flurry of interest, including several surveys commissioned by pollsters like YouGov, which led Graeber to expand it into a full sized book. Unfortunately, what makes for a strong provocative essay does not necessarily translate into convincing social analysis. I had a vague recollection of Graeber’s argument from having read the essay years ago, and as with Fisher’s Capitalist Realism remember the sense of it expressing a truth that we all feel but can find hard to express. I was intrigued how Graeber had developed the original argument of the essay into a full length book, so decided to give the audiobook a listen. This was, sadly, a disappointment. The book is a padded out version of the essay, with the padding reinforcing its weaknesses and diminishing its strengths.

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#books #nonfiction #politics #culture #boundedimagination

Every now and then a text is published that explosively captures its zeitgeist. For early 21st century Britain (and the West beyond), Mark Fisher’s Capitalist Realism: Is There no Alternative is such a text. The title of its first chapter (“It is easier to imagine the end of the world than to imagine the end of capitalism”) has become and remains a truism on the Left. The first part of the book’s title has become the descriptive term for the pervasive sense that there is, indeed, no alternative. That we are forever stuck in an Eternal Present of a crumbling public realm, increasing precarity and environmental disintegration, all the while being told by our capitalist overlords that this really is the best of all possible worlds.

Capitalist Realism came out in 2009, resonating with the politics that emerged from the Great Financial Crash: Occupy, student protests in the UK and elsewhere, the abortive resistance to austerity, the failed revolutions of the Arab Spring. If anything, events since then reinforce the observation that resistance is indeed futile. Reading Capitalist Realism for the first time in 2025, I was struck by how much it is of its time yet remains relevant today.

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#books #nonfiction #politics

“Where is the revolution?” With rising inequality, impending ecological breakdown, ongoing genocide – many of us feel that ‘something should be done’,. Then we look around and see everyone else turning up at work, doing the dishes or just trying to get through the day. And so we, too, put the day’s misery out of mind and get on with it. The rent must, after all, be paid.

Hegemony Now! – How Big Tech and Wall Street Won the World (and How We Win It Back) Jeremy Gilbert & Alex Williams interrogates why this happens. Why, if so many of us so acutely feel the injustices of our present moment, does nothing ever seem to change? Gilbert and Williams seek the answer in an update of Antonio Gramsci’s concept of hegemony. Gramsci introduced the term during the days of Mussolini’s fascism to describe the ability of one group in society to exercise control over everyone else. Control here doesn’t need to mean men with guns, nor does it mean total control of the North Korean variety. Instead, hegemony describes a state where a dominant group, or bloc of groups, manages to get just enough of the rest of us to do as they wish to keep themselves in power, using a variety of means, most of them not directly violent.

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About the author

A long time ago, I had a blog of political polemics. Then life happened and I stopped writing.

Yet the desire to write never went away, and so this blog was born. Of polemics we already have a sufficiency, however. One only has to read a news site. Instead, I am trying my hand at reflections on the cultural artefacts I ‘consume’: books, games, movies, and so forth.

The name of this blog expresses my capacity as an ordinary consumer, and hence merely a ‘casual’ critic. I cannot boast of a degree in art history, cultural studies or English (or any other) language. Nor am I a paid reviewer. I do believe though that most authors create an artefact because they want their audience to actively engage with it, rather than merely consume it passively. Writing reviews is my way of entering into dialogue with a text, as well as an opportunity to be creatively active myself. If people enjoy reading the end product, then so much the better.

About the blog

The function of this blog strongly informed its form. I ended up on Write.as because of the minimalist aesthetic and the deliberate absence of social media plug-ins, Fediverse integrations excepted. There is no SEO, and no trackers. It does mean that the blog lacks some features that readers will have come to expect, most notably the ability to comment and a navigation menu or archive.

To help find your way around, Write.as uses hashtags. Clicking a hashtag will generate a page listing all the posts with the same hashtag. I do my best to label all reviews, and my most common hashtags are at the end of this page.

Posts will be cross-posted to my Mastodon feed, so feel free to leave a comment there. Any feedback or response is much appreciated. You can also subscribe to receive future blogs via email using the ‘Subscribe’ button at the bottom of the homepage, or by adding this blog to an RSS feed.

How to navigate

Every post has one or more tags (‘#’) associated with it to help categorise it. Instead of using menus, you can click on a tag to retrieve all posts with the same tag. You can do this from within any blog post, or you can use the list below.

Mediums #books #films #theatre #tv #videogames

Type #fiction #nonfiction

Fiction genres #fantasy #literature #SF #speculative #cyberpunk #solarpunk #superheroes

Non-fiction categories #history #politics #tech #culture #unions #socialism